Andrea Mann

Andrea Mann is a British screenwriter

On Dreaming Whole Dreams, And Other Reminders For 2025

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The Holdovers (written by David Hemingson & directed by Alexander Payne)

I hope you and yours are having a fun-packed/no-activities-packed/delete as applicable festive season. As I write this, Greatest Hits Radio Christmas is playing in the background (damn right I’m going to keep listening to Christmas songs after 25th December), and Freddie Mercury is opining ‘Thank god it’s Christmas’. Right now, however, I’m thinking: thank god it’s Twixtmas. A time when the main activities in our house are, delightfully, getting up late (and then eating chocolate), watching movies (while eating chocolate) and going for long walks (only stopping to eat… you guessed it, Christmas cake).

My husband and I have a tradition on our Twixtmas walks to talk about the year we’ve each had, and share our hopes and goals for the year to come. So in the spirit of that, I thought I’d write about five things (fiiiive gooaaal thiiiings!) that 2024 taught me – or at least reminded me of – which I’m going to try to take into in 2025. They’re largely work/creativity-related, but not completely. And whatever work you do, or whatever your life may look like, I hope that one, some or all may be helpful for you, too.

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The Goals Post

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James Taylor’s great song ‘October Road’, or as I am currently hearing it in my head: ‘October Goals’

I have just written down my October goals. I do this every month (write down that month’s goals, not my October goals – that would be weird, except for in October), and they cover all kinds of things, though they tend to focus on work and health/fitness.

I by no means always attain them – especially the health/fitness ones – but, as I touched on in my last post, I try to keep them to goals I can control.  There’s no point in me writing, for example, that my goal is to win a BAFTA – especially as the BAFTA Film Awards take place in February, not October. No. Instead, for example, one goal I’ve written down this month is: ‘Deliver an outline I’m proud of, to deadline’. Those are pretty much aspects I can control when it comes to my current work project – which is, you guessed it, writing an outline (a prose document written ahead of a script) for some lovely producers, to an upcoming deadline in October.

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Playing the Long Game

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Life is a marathon, not a sprint – and so is the world of filmmaking. On the back of the brilliant The Queen’s Gambit, whose journey from book to Netflix took a mere 30 years, I wrote a two-part piece for Lucy V. Hay’s excellent screenwriting website Bang2Write about 12 films which took a long time to get from idea to script to screen – and the lessons we creatives can learn from the writer’s journey on each. Here’s part one (ft. Arrival, Get Out, Jojo Rabbit, Carol, Superbad, The Theory of Everything) and here’s part two (ft. A Quiet Place, One Night in Miami, Saving Mr Banks, The King’s Speech, Thelma & Louise, Bohemian Rhapsody). I hope it’s a helpful-slash-inspiring read for fellow writers and creatives!