Andrea Mann

Andrea Mann is a British screenwriter

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Finding your ‘voice’ in writing (and music, and life)

07.23.2025 by Andrea Mann // 2 Comments

Did you know that Hold Me Now by The Thompson Twins has a middle bridge section that’s very like Wichita Lineman? Nor did I until this week, when I sat down at my piano keyboard on a whim to see how possible-slash-satisfying one of my absolute favourite songs from the 80s would be to sing and play. (Turns out: very possible, and very satisfying.)

The reason I’ve been sitting down at my keyboard on a whim quite a lot lately – normally prompted by a favourite song from the 70s or 80s popping up on shuffle (I can testify that How Long by Ace is also incredibly satisfying) – is because, for the very first time in my life, in my 50s, I am busking. And in fact this month I took it one stage further – literally, it was at the Man Cave Stage – and sang and played at Ilkley Live, a brilliant free music festival that happens in my new hometown every year:

That’s me in the corner (that’s me in the sunshine, finding my religion)

I’ve sung with jazz musicians – ie vocals only – for many years now, although until recently I hadn’t actually done it for many years, if you see what I mean. But singing while also playing piano in public has been something I’ve only done occasionally – again, many years ago, and vitally: only ever as background music in a busy bar or restaurant. To sing and play while people are actually, erm, paying attention is a new, rather scary, step for me. And it’s got me thinking about the idea of being heard – about being public, and audible. About one’s voice.

The idea of your ‘voice’ is talked about a lot in the writing world. But how do you find it? And what even is it?

The latter question is, for me, the route into the former. One’s ‘voice’ is one’s personality on the page: your take on life and the world, your POV, your values and beliefs and tastes, all showing through how you write and what you write about. It’s your ‘brand’. All there, on a plate (or at least on a page). It’s you the writer being you the writer.

So how do you unearth it, develop it? For me, that process has been inextricably linked to finding my voice full stop. It’s been linked to me learning that a key route to happiness and fulfilment in all areas of life – in work, relationships, family – is trying, learning, to be the most YOU you can be. Learning to embrace who you are, how you feel, what you think – rather than denying it or hiding it. Learning to shed the layers that grow around all of us.

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Categories // Musings Tags // creative advice, creative voice, creativity, creativity tips, music, screenwriting, writing, writing advice, writing tips

On Imposter Syndrome, And Getting Out Of Our Own Way

05.20.2025 by Andrea Mann // Leave a Comment


I put myself forward for a writing gig this month that I almost didn’t put myself forward for.

I’d seen the call out – asking for CV submissons – and immediately dismissed it as not something I would be good or experienced enough for. It required a writing muscle that I’ve not exercised in years and I feared would now be too out of shape.

But then my agent asked me if I was going to put myself forward for it. I said no, and gave my excuses reasons. And then – being both a good person and a good agent – she told me that I should.

Old me would have continued to resist. New me a) realised I was resisting, b) knew my agent was right, and c) submitted my CV.

And while I knew that it was an extremely long shot, I also knew that the point, really, wasn’t whether I would get the gig or not. The point was that I had just got out of my own way.

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Categories // Musings Tags // creative advice, creative tips, creativity, creativity tips, screenwriting, writing, writing advice, writing tips

Those Three Little Words That Mean So Much

03.30.2025 by Andrea Mann // Leave a Comment

Learning to ‘trust the process’ can change your life. Trust me. (And the process).

Trust the Post-it

I’m in the first draft of a feature script at the moment, with all the ups and downs that entails.

The ups include thoughts like: I’m writing a film script! I used to manage a cinema and now I’m writing a film script!! – inwardly screaming and running around the house like Olive when she’s told she’s through to the finals of the Little Miss Sunshine pageant.

The downs include rather different thoughts, like: What the f— am I doing? Should I really put that there? Is this rubbish? Oh god, it’s rubbish. Is this script going to be any good? At any point? I bet Mike White’s scripts are great off the bat! …and so on.

I often talk to other writers and creatives about how a) the voice of your Inner Critic never goes away but b) you can help it to become quieter, and less frequent, by doing such things as nurturing the voice of your Inner Best Friend instead.

When I’m in the thick of a first draft, my Inner Best Friend reminds me that they’re known as Shitty First Drafts for a reason. That nobody will see this draft but me. That it doesn’t need to be good, it just needs to be written. That it doesn’t matter if it’s rubbish for now, as long as I push on through. That I should just keep swimming. At which point I realise that my Inner Best Friend is, in fact, a fish. Called Dory.  

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Categories // Musings Tags // creative advice, creative process, creative tips, creativity, creativity tips, screenwriting, writing, writing advice, writing tips

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